CHAPTER- 23: TRAPPED IN AMERICA!! “..DOREMUS’s ‘SURE’ HIS TIME IS A COMING..” SEEKING LIGHT.. !!FAILURE!! IN A JOURNEY TO THE TRUE NORTH STRONG AND FREE..” (‘it can’t happen here’)

Chapter23

A worried man with dark hair and a concerned expression stands in a crowded street, surrounded by soldiers and flag banners.
So Doremus was nervous. So Doremus was sure that his time in a concentration camp was coming. He glanced back at every stranger who seemed to be following him on the street.
Cover of Sinclair Lewis's book 'It Can't Happen Here' featuring a stylized illustration of the U.S. Capitol and bold red banners.
LABOR CAMPS PROFESSORS CAN’T HAPPEN HERE

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NORMAN J CLEMENT RPH., DDS, NORMAN L. CLEMENT PHARM-TECH, MALACHI F. MACKANDAL PHARMD, BELINDA BROWN-PARKER, IN THE SPIRIT OF JOSEPH SOLVO ESQ., INC., SPIRIT OF REV. IN THE SPIRIT OF WALTER R. CLEMENT BS., MS, MBA. HARVEY JENKINS, MD, PH.D., IN THE SPIRIT OF C.T. VIVIAN, JELANI ZIMBABWE CLEMENT, BS., M.B.A., IN THE SPIRIT OF THE HON. PATRICE LUMUMBA, IN THE SPIRIT OF ERLIN CLEMENT SR., EVELYN J. CLEMENT, WALTER F. WRENN III., MD., JULIE KILLINGSWORTH, RENEE BLARE, RPH, DR. TERENCE SASAKI, MD LESLY POMPY MD., CHRISTOPHER RUSSO, MD., NANCY SEEFELDT, WILLIE GUINYARD BS., JOSEPH WEBSTER MD., MBA, BEVERLY C. PRINCE MD., FACS., NEIL ARNAND, MD., RICHARD KAUL, MD., IN THE SPIRIT OF LEROY BAYLOR, JAY K. JOSHI MD., MBA, AISHA GARDNER, ADRIENNE EDMUNDSON, ESTER HYATT PH.D., WALTER L. SMITH BS., IN THE SPIRIT OF BRAHM FISHER ESQ., MICHELE ALEXANDER MD., CUDJOE WILDING BS, MARTIN NJOKU, BS., RPH., IN THE SPIRIT OF DEBRA LYNN SHEPHERD, BERES E. MUSCHETT, STRATEGIC ADVISORS

Cover of the book 'It Can Happen Here' by Alexander Laban Hinton, featuring an illustration of a serpent coiled around a circular object.
LABOR CAMPS PROFESSORS CAN’T HAPPEN HERE

This excerpt from Sinclair Lewis’s novel It Can’t Happen Here details the mounting paranoia and urgent flight of Doremus Jessup, a newspaper editor targeted by a totalitarian regime, known as the “Corpos” and their militia, the Minute Men. Doremus, having been questioned and observed, is convinced his arrest and internment in a concentration camp is imminent, prompting his friend Buck Titus to organize a dramatic, clandestine escape to Canada for the entire family.

A black and white photograph of a serious young man with short hair, wearing a suit and tie, looking directly at the camera.
Sinclair Lewis, 1914 Author “It Can’t Happen Here” Photograph: Arnold Genthe US Library of Congress [Public Domain; CC0 1.0 Universal Public Domain Dedication]

The central conflict arises from Doremus’s initial stubborn refusal to flee, believing he should stay and fight for the country his ancestors built, a stance his family and friends vehemently oppose, emphasizing the danger to his life and their well-being. Ultimately agreeing to the plan, the family endures a terrifying night drive in treacherous winter conditions, only to be turned back repeatedly at the border by Minute Men guards, culminating in the humiliating realization that they are completely trapped.

Flag featuring the Union Jack and a coat of arms, representing a historical or regional jurisdiction.

Flight and Capture in Corpoland

A grotesque creature with horns and sharp teeth, holding torn maps and dollar bills depicting multiple currencies, including the American flag and a Chinese flag in the background.

Doremus was nervous

Three men in military and semi-formal attire reviewing documents at a cluttered desk in a historical office setting.
The Minute Men had come, not with Shad but with Emil and a strange battalion-leader from Hanover, to examine the private letters in his study.

The Minute Men had come, not with Shad but with Emil and a strange battalion-leader from Hanover, to examine the private letters in his study. They were polite enough, but alarmingly thorough. Then he knew, from the disorder in his desk at the Informer, that someone had gone over his papers there.

A somber scene of a man in a military uniform sitting at a cluttered desk filled with papers and books, lost in thought, in an office with large windows and elegant drapes.

Emil avoided him at the office.

Doremus was called to Shad’s office and gruffly questioned about correspondence which some denouncer had reported his having with the agents of Walt Trowbridge.

A man in a suit sits at a cluttered desk covered with papers, looking serious and contemplative. The setting includes bookshelves in the background and a lamp on the desk, creating a formal and tense atmosphere.

So Doremus was nervous. So Doremus was certain that his time for going to concentration camp was coming. He glanced back at every stranger who seemed to be following him on the street.

An elderly fruit seller with a friendly expression stands behind a vibrant display of assorted fruits in a market, wearing a hat and plaid shirt.

The fruitman, Tony Mogliani, flowery advocate of Windrip, of Mussolini, and of tobacco quid as a cure for cuts and burns, asked him too many questions about his plans for the time when he should “get through on the paper”; and once a tramp tried to quiz Mrs. Candy, meantime peering at the pantry shelves, perhaps to see if there was any sign of their being understocked, as if for closing the house and fleeing….

An older man and woman are engaged in a serious conversation in a cozy kitchen filled with dishes and homey decor.

But perhaps the tramp really was a tramp.

In the office, in mid-afternoon, Doremus had a telephone call from that scholar-farmer, Buck Titus: “Going to be home this evening, about nine? Good! Got to see you.

Important!

Say, see if you can have all your family and Linda Pike and young Falck there, too, will you? Got an idea. Important!”

A serious family gathering featuring three individuals: an older man with gray hair, a middle-aged woman with a worried expression, and a young woman looking anxious. They are seated close together, conveying a sense of concern amidst an intimate setting filled with vintage decor.
Im not going to flea
A black and white photograph of a young man with neatly combed hair, wearing a suit and tie, looking directly at the camera with a serious expression.
Sinclair Lewis, 1914 Author of “It Can’t Happen Here”
Photograph: Arnold Genthe
The Terrifying Mundanity of Escape When Local Thugs and Bureaucrats
A stern-looking military officer in a uniform stands at the forefront, holding a rifle, while a group of soldiers with similar attire are lined up in the background, creating an atmosphere of tension and discipline.
mm’s corpos

As important ideas, just now, usually concerned being imprisoned, Doremus and his women waited jumpily. Lorinda came in twittering, for the sight of Emma always did make her twitter a little, and in Lorinda there was no relief. Julian came in shyly, and there was no relief in Julian.

A woman pouring tea from an ornate teapot into a delicate cup, sitting at a table with a man. The scene is set in a cozy room with snow visible outside the window.

Mrs. Candy brought in unsolicited tea with a dash of rum, and in her was some relief, but it was all a dullness of fidgety waiting till Buck slammed in, ten minutes late and very snowy. “Sor keep waiting but I’ve been telephoning. Here’s some news you won’t have even in the office yet, Dormouse.

The forest fire’s getting nearer.

A group of people gathers around a newspaper, showing significant interest in the headline as they discuss current events.

This afternoon, they arrested the editor of the Rutland Herald—no charge laid against him yet—no publicity—I got it from a commission merchant I deal with in Rutland.

A serious-looking man in a fedora and overcoat stands in the foreground, facing an unseen authority figure, while a group of men in uniforms and suits are positioned behind him, suggesting a tense encounter in an urban setting.
You’re next, Doremus. I reckon!!

You’re next, Doremus. I reckon they’ve just been laying off you till Staubmeyer picked your brains. Or maybe Ledue has some nice idea about torturing you by keeping you waiting.

Flag of a Canadian province featuring a red background with the Union Jack and a coat of arms.

Anyway, you’ve got to get out. And tomorrow! To Canada! To stay! By automobile. No can do by plane any more—Canadian government’s stopped that. You and Emma and Mary and Dave and Sis and the whole damn shooting-match—and maybe Foolish and Mrs. Candy and the canary!” “Couldn’t possibly!

Take me weeks to realize on what investments I’ve got. Guess I could raise twenty thousand, but it’d take weeks.”

A man in a stylish vintage suit stands on a city street holding a fanned stack of cash in one hand, with classic cars parked in the background.

“Sign ’em over to me, if you trust me—and you better! I can cash in everything better than you can—stand in with the Corpos better—been selling ’em horses and they think I’m the kind of loud-mouthed walking gent that will join ’em! I’ve got fifteen hundred Canadian dollars for you right here in my pocket, for a starter.”

A group of armed soldiers in military uniforms, holding rifles and lanterns, stands in a dimly lit street, expressing a tense and focused demeanor.

“We’d never get across the border. The M.M.’s are watching every inch, just looking for suspects like me.”

A man holding a 'Canada' license plate in front of an old truck, dressed in winter clothing with a hat and scarf, in a snowy setting.

“I’ve got a Canadian driver’s license, and Canadian registration plates ready to put on my car—we’ll take mine—less suspicious. I can look like a real farmer—that’s because I am one, I guess—I’m going to drive you all, by the way. I got the plates smuggled in underneath the bottles in a case of ale!

So we’re all set, and we’ll start tomorrow night, if the weather isn’t too clear—hope there’ll be snow.”

“But Buck! Good Lord! I’m not going to flee. I’m not guilty of anything. I haven’t anything to flee for!” “Just your life, my boy, just your life!” “I’m not afraid of ’em.” “Oh yes you are!”

Group of serious-looking individuals holding lanterns and rifles, illuminated against a dark, cloudy background.
“..A bunch of lunatics and gunmen drive me out of the country that my ancestors and I made!”

“Oh—well—if you look at it that way, probably I am! But I’m not going to let a bunch of lunatics and gunmen drive me out of the country that I and my ancestors made!”

Emma choked with the effort to think of something convincing; Mary seemed without tears to be weeping; Sissy squeaked; Julian and Lorinda started to speak and interrupted each other; and it was the uninvited Mrs. Candy who, from the doorway, led off:

“Now isn’t that like a man!

Stubborn as mules. All of ’em. Everyone. And show-offs, the whole lot of ’em. Course you just wouldn’t stop and think how your women folks will feel if you get took off and shot!

A middle-aged man in a work shirt and hat stands in front of a vintage steam locomotive, with a serious expression.

You just stand in front of the locomotive and claim that because you were on the section gang that built the track, you got more right there than the engine has, and then when it’s gone over you and gone away, you expect us all to think what a hero you were!

Well, maybe some call it being a hero, but—”

“Well, confound it all, all of you picking on me and trying to get me all mixed up and not carry out my duty to the State as I see it—”

A flag with a red background featuring a maple leaf, the text 'THE TRUE NORTH' and 'Strong and Free' prominently displayed.
CANADA FLAG

“You’re over sixty, Doremus. Maybe a lot of us can do our duty better now from Canada than we can here—like Walt Trowbridge,” besought Lorinda. Emma looked at her friend Lorinda with no particular affection.

A large group of protesters rallying in the streets, holding banners and flags, expressing their opposition to corporate influences, with raised fists and intense expressions.

“But to let the Corpos steal the country and nobody protest! No!”

A crowd at a protest holding a large banner that reads 'CORPORIE DOTS CORPONE=CONTROL', with focused expressions on the faces of the participants.

“That’s the kind of argument that sent a few million out to die, to make the world safe for democracy and a cinch for Fascism!” scoffed Buck.

A large crowd participating in a protest, holding various signs with messages that are partially obscured, displaying a mix of emotions, with individuals passionately raising their fists and expressing dissent in a city street.

“Dad!

Come with us. Because we can’t go without you. And I’m getting scared here.

A worried woman stands on a street corner, with her hand on her chest, as a confident man in a military uniform gestures towards her. The scene conveys a sense of anxiety and authority, set against an urban backdrop.

” Sissy sounded scared, too; Sissy the unconquerable. “This afternoon Shad stopped me on the street and wanted me to go out with him. He tickled my chin, the little darling! But honestly, the way he smirked, as if he was so sure of me—I got scared!” “I’ll get a shotgun and—”

“Why, I’ll kill the dirty—”

A dramatic black-and-white illustration depicting a tense scene from Sinclair Lewis's novel 'It Can't Happen Here.' Featuring a group of worried characters in a living room, including a woman and several men expressing fear and determination. A small dog is present, adding a touch of normalcy amidst the tension.

“Wait’ll I get my hands on—”cried Doremus, Julian, and Buck, all together, and glared at one another, then looked sheepish as Foolish barked at the racket, and Mrs. Candy, leaning like a frozen codfish against the door jamb, snorted,

“Some more locomotive-batters!” Doremus laughed.

For one only time in his life, he showed genius, for he consented: “All right. We’ll go. But just imagine that I’m a man of strong willpower and I’m taking all night to be convinced. We’ll start tomorrow night.”

A thoughtful older man with silver hair and worried expression sitting in a well-lit room filled with family photos.

What he did not say was that he planned, the moment he had his family safe in Canada, with money in the bank and perhaps a job to amuse Sissy, to run away from them and come back to his proper fight.

A cozy indoor scene featuring several decorated Christmas trees adorned with ribbons and ornaments, illuminated by warm lights, with a softly glowing lamp in the background.
It was only a week before Christmas, a holiday always greeted with good cheer and quantities of colored ribbons in the Jessup household.

He would at least kill Shad before he got killed himself. It was only a week before Christmas, a holiday always greeted with good cheer and quantities of colored ribbons in the Jessup household, and that wild day of preparing for flight had a queer Christmas joyfulness.

A tense scene depicting two men in an office setting. The elderly man in front appears worried and anxious, while the man behind him looks menacing and focused. The atmosphere is heavy with unease, highlighted by dim lighting and shadows.

To dodge suspicion, Doremus spent most of the time at the office, and a hundred times it seemed that Staubmeyer was glancing at him with just the ruler-threatening hidden irehe had used on whisperers and like young criminals in school.

But he took off two hours at lunch time, and he went home early in the afternoon, and his long depression was gone in the prospect of Canada and freedom, in an excited inspection of clothes that was like preparation for a fishing trip.

They worked upstairs, behind drawn blinds, feeling like spies in an E. Phillips Oppenheim story, beleagured in the dark and stone-floored ducal bedroom of an ancient inn just beyond Grasse. Downstairs, Mrs. Candy was pretentiously busy looking normal—after their flight, she and the canary were to remain and she was to be surprised when the M.M.’s reported that the Jessups seemed to have escaped.

Doremus had drawn five hundred from each of the local banks, late that afternoon, telling them that he was thinking of taking an option on an apple orchard.

A golden-haired dog nestled in a brown travel bag filled with cash, a book titled 'Decline of the West,' and assorted items like a pen and pencil.

He was too well-trained a domestic animal to be raucously amused, but he could not help observing that while he himself was taking on the flight to Egypt only all the money he could get hold of, plus cigarettes, six handkerchiefs, two extra pairs of socks, a comb, a toothbrush, and the first volume of Spengler’s Decline of the West

A vibrant sunset with a large sun descending on the horizon, casting warm orange and yellow hues across the sky and silhouetting distant hills.

—decidedly it was not his favorite book, but one he had been trying to make himself read for years, on train journeys —while, in fact, he took nothing that he could not stuff into his overcoat pockets…

A decorative display featuring a light-colored lace crop top and matching high-waisted panties, framed by a photo of a young girl and an open photo album with portraits of children. Two model airplanes rest on the table below.

..Sissy apparently had need of all her newest lingerie and of a large framed picture of Julian, Emma of a kodak album showing the three children from the ages of one to twenty, David of his new model aeroplane, and Mary of her still, dark hatred that was heavier to carry than many chests.

A woman in a vintage dress poses with three children, holding a framed photo and a wooden toy airplane, with a portrait of a young man in the background.

Julian and Lorinda were there to help them; Julian off in corners with Sissy.

With Lorinda, Doremus had but one free moment … in the old-fashioned guest-bathroom.

“Linda. Oh, Lord!”

“We’ll come through! In Canada you’ll have time to catch your breath. Join Trowbridge!”

“Yes, but to leave you—I’d hoped somehow, by some miracle, you and I could have maybe a month together, say in Monterey or Venice or the Yellowstone. I hate it when life doesn’t seem to stick together and get somewhere and have some plan and meaning.”

“It’s had meaning! No dictator can completely smother us now! Come!”

“Good-bye, my Linda!” Not even now did he alarm her by confessing that he planned to come back, into danger. Embracing beside an aged tin-lined bathtub with woodwork painted a dreary brown, in a room which smelled slightly of gas from an old hot-water heater—embracing in sunset-colored mist upon a mountain top.

Darkness, edged wind, wickedly deliberate snow, and in it Buck Titus boisterously cheerful in his veteran Nash, looking as farmer-like as he could, in sealskin cap with rubbed bare patches and an atrocious dogskin overcoat. Doremus thought of him again as a Captain Charles King cavalryman chasing the Sioux across blizzard-blinded prairies.

They packed alarmingly into the car; Mary beside Buck, the driver; in the back, Doremus between Emma and Sissy; on the floor, David and Foolish and the toy aeroplane indistinguishably curled up together beneath a robe. Trunk rack and front fenders were heaped with tarpaulin-covered suitcases.

“Lord, I wish I were going!” moaned Julian.

“Look! Sis! Grand spy-story idea!

But I mean seriously: Send souvenir postcards to my granddad—views of churches and so on—just sign ’em ‘Jane’—and whatever you say about the church, I’ll know you really mean it about you and—Oh, damnall mystery! I want you, Sissy!”

A group of soldiers in uniforms holding firearms, illuminated by street lamps at night, conveying a tense and watchful atmosphere.

Mrs. Candy whisked a bundle in among the already intolerable mess of baggage which promised to descend on Doremus’s knees and David’s head, and she snapped, “Well, if you folks must go flyin’ around the country—It’s a cocoanut layer cake.

” Savagely: “Soon’s you get around the corner, throw the fool thing in the ditch if you want to!” She fled sobbing into the kitchen, where Lorinda stood in the lighted doorway, silent, her trembling hands out to them.

A red vintage car with a Christmas decoration on the roof drives through a snowy landscape, with three passengers inside who appear excited, illuminated by the car's lights against a winter backdrop.

The car was already lurching in the snow before they had sneaked through Fort Beulah by shadowy back-streets and started streaking northward.

Sissy sang out cheerily, “Well, Christmas in Canada! Skittles and beer and lots of holly!”

“Oh, do they have Santa Claus in Canada?” came David’s voice, wondering, childish, slightly muffled by lap robe and the furry ears of Foolish.

“Of course they do, dearie!” Emma reassured him and, to the grown-ups, “Now wasn’t that the cutest thing!” To Doremus, Sissy whispered,

“Darn well ought to be cute. Took me ten minutes to teach him to say it, this afternoon! Hold my hand. I hope Buck knows how to drive!”

Buck Titus knew every back-road from Fort Beulah to the border, preferably in filthy weather, like tonight. Beyond Trianon he pulled the car up deep-rutted roads, on which you would have to back if you were to pass anyone. Up grades on which the car knocked and panted, into lonely hills, by a zigzag of roads, they jerked toward Canada.

A close-up of a concerned man in a snow-covered car, with frost on the windshield and snowflakes visible outside.

Wet snow sheathed the windshield, then froze, and Buck had to drive with his head thrust out through the open window, and the blast came in and circled round their stiff necks.

A group of people inside a vintage car driving through a snowy landscape, with a deer visible in the front seat, creating a scene of winter adventure.

Doremus could see nothing save the back of Buck’s twisted, taut neck, and the icy windshield, most of the time. Just now and then a light far below the level of the road indicated that they were sliding along a shelf road, and if they skidded off, they would keep going a hundred feet, two hundred feet, downward—probably turning over and over. Once they did skid, and while they panted in an eternity of four seconds, Buck yanked the car up a bank beside the road, down to the left again, and finally straight—speeding on as if nothing had happened, while Doremus felt feeble in the knees.

For a long while he kept going rigid with fear, but he sank into misery, too cold and deaf to feel anything except a slow desire to vomit as the car lurched. Probably he slept—at least, he awakened, and awakened to a sensation of pushing the car anxiously up hill, as she bucked and stuttered in the effort to make a slippery rise.

Suppose the engine died—suppose the brakes would not hold and they slid back downhill, reeling, bursting off the road and down—A great many suppositions tortured him, hour by hour.

Then he tried being awake and bright and helpful. He noticed that the ice-lined windshield, illuminated from the light on the snow ahead, was a sheet of diamonds. He noticed it, but he couldn’t get himself to think much of diamonds, even in sheets.

He tried conversation. “Cheer up. Breakfast at dawn—across the border!” he tried on Sissy.

“Breakfast!” she said bitterly. And they crunched on, in that moving coffin with only the sheet of diamonds and Buck’s silhouette alive in all the world. After unnumbered hours the car reared and tumbled and reared again. The motor raced; its sound rose to an intolerable roaring; yet the car seemed not to be moving.

The motor stopped abruptly. Buck cursed, popped his head back into the car like a turtle, and the starter ground long and whiningly. The motor again roared, again stopped. They could hear stiff branches rattling, hear Foolish moaning in sleep. The car was a storm-menaced cabin in the wilderness. The silence seemed waiting, as they were waiting.

“Strouble?” said Doremus.

“Stuck. No traction. Hit a drift of wet snow—drainage from a busted culvert, I sh’ think. Hell! Have to get out and take a look.” Outside the car, as Doremus crept down from the slippery running-board, it was cold in a vicious wind. He was so stiff he could scarcely stand. As people do, feeling important and advisory, Doremus looked at the drift with an electric torch, and Sissy looked at the drift with the torch, and Buck impatiently took the torch away from them and looked twice. “Get some— ” and “Brush would help, ” said Sissy and Buck together, while Doremus rubbed his chilly ears.

They three trotted back and forth with fragments of brush, laying it in front of the wheels, while Mary politely asked from within, “Can I help?” and no one seemed particularly to have answered her.

A woman stands at the entrance of a snow-covered wooden cabin at night, with warm light glowing from the windows.

The headlights picked out an abandoned shack beside the road; an unpainted gray pine cabin with broken window glass and no door. Emma, sighing her way out of the car and stepping through the lumpy snow as delicately as a pacer at a horse show, said humbly, “That little house there—maybe I could go in and make some hot coffee on the alcohol stove—didn’t have room for a thermos.

Hot coffee, Dormouse?”

To Doremus she sounded, just now, not at all like a wife, but as sensible as Mrs. Candy. When the car did kick its way up on the pathway of twigs and stand panting safely beyond the drift, they had, in the sheltered shack, coffee with slabs of Mrs. Candy’s voluptuous cocoanut cake.

Doremus pondered, “This is a nice place. I like this place. It doesn’t bounce or skid. I don’t want to leave this place.” He did. The secure immobility of the shack was behind them, dark miles behind, and they were again pitching and rolling and being sick and inescapably chilly. David was alternately crying and going back to sleep. Foolish woke up to cough inquiringly and returned to his dream of rabbiting.

And Doremus was sleeping, his head swaying like a masthead in long rollers, his shoulder against Emma’s, his hand warm about Sissy’s, and his soul in nameless bliss. He roused to a half-dawn filmy with snow. The car was standing in what seemed to be a crossroads hamlet, and Buck was examining a map by the light of the electric torch.

“Got anywhere yet?”

Doremus whispered.

“Just a few miles to the border.”

“Anybody stopped us?”

“Nope. Oh, we’ll make it, all right, o’ man.”

Three young individuals standing on a deserted road at night, each holding a weapon, dressed in tactical gear.
Minute Men stood out in the road, dripping with radiance from the car. They were young and rural, but they had efficient repeating rifles.

Out of East Berkshire, Buck took not the main road to the border but an old wood lane so little usedthat the ruts were twin snakes. Though Doremus said nothing, the others felt his intensity, his anxietythat was like listening for an enemy in the dark.

A group of five young boys standing together, each holding a rifle, set against a blurred background of a rural landscape during sunset.
“..They were young and rural..”

David sat up, the blue motor robe about him. Foolish started, snorted, looked offended but, catching the spirit of the moment, comfortingly laid a paw onDoremus’s knee and insisted on shaking hands, over and over, as gravely as a Venetian senator or an undertaker.

They dropped into the dimness of a tree-walled hollow. A searchlight darted, and rested hotly on them, so dazzling them that Buck almost ran off the road.”Confound it,” he said gently. No one else said anything. He crawled up to the light, which was mounted on a platform in front of a small shelter hut. Two

Three armed men in cowboy attire stand menacingly on a rural road with a vintage car in the background. One of them holds a shotgun, while the others are also armed, with the sun setting behind them.
“But we’ve got to—” “You heard what I said!” The M.M.’s were fingering their rifles.

Minute Men stood out in the road, dripping with radiance from the car. They were young and rural, but they had efficient repeating rifles.

Where you headed for?” demanded the elder, good-naturedly enough.

“Montreal, where we live.”

Two men in cowboy attire, one holding a lantern, stand amid dim lighting, suggesting a tense or serious moment.

Buck showed his Canadian license… . Gasoline motor and electric light, yet Doremus saw the frontier guard as a sentry in 1864, studying a pass by lantern light, beside a farm wagon in which hid General Joe Johnston’s spies disguised as plantation hands. “I guess it’s all right. Seems in order. But we’ve had some trouble with refugees.

A group of uniformed military personnel standing in formation, with serious expressions, in a well-lit indoor setting.
You’ll have to wait till the Battalion-Leader comes—maybe ‘long about noon.”

You’ll have to wait till the Battalion-Leader comes—maybe ‘long about noon.”

“But good Lord, Inspector, we can’t do that! My mother’s awful sick, in Montreal.”

Four young boys sitting in a car, looking anxiously at armed soldiers in the background near a sign indicating 'PRAIRIE CA.' The boys are dressed warmly, with expressions of concern and tension.

“Yuh, I’ve heard that one before! And maybe it’s true, this time. But afraid you’ll have to wait for the Bat. You folks can come in and set by the fire, if you want to.”

“But we’ve got to—”

A group of four young individuals, dressed in hooded jackets, sit inside a car at night, each holding a firearm and looking intently ahead, while a vehicle's headlights illuminate the scene outside.

“You heard what I said!” The M.M. ‘s were fingering their rifles. “All right. But tell you what we’ll do. We’ll go back to East Berkshire and get some breakfast and a wash and come back here.

Noon, you said?”

“Okay! And say, Brother, it does seem kind of funny, your taking this back road, when there’s a first-rate highway. S’ long. Be good… . Just don’t try it again!

The Bat might be here next time—and he ain’t a farmer like you or me!”

Three children sitting in a car, looking anxious, with two young soldiers in the background, suggesting a tense atmosphere.

The refugees, as they drove away, had an uncomfortable feeling that the guards were laughing at them. Three border posts they tried, and at three posts they were turned back. “Well?” said Buck. “Yes. I guess so. Back home. My turn to drive,”

said Doremus wearily.

A group of four individuals in a car at night, appearing tense and focused, with two holding firearms. In the background, a border checkpoint sign is visible.

The humiliation of retreat was the worse in that none of the guards had troubled to do more than laugh at them. They were trapped too tightly for the trappers to worry.

A close-up of an elderly man's face, showing concern and determination, in a snowy border crossing setting with a 'CANADA' sign in the background and red vintage car nearby.

Doremus’s only clear emotion as, tails between their legs, they back-tracked to Shad Ledue’s sneer and to Mrs. Candy’s “Well, I never!” was regret that he had not shot one guard, at least, and he raged: “Now I know why men like John Brown became crazy killers!”

A desolate railway track stretches into the horizon under an overcast sky, surrounded by sparse grass.
A LONG WAY BACK HOME

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