THE SOUL vs. CIRCUITRY: AMERICA’S CULTURAL CIVIL WAR AND STRUCTURAL DEHUMANIZATION IN MEDICINE (MINNIE VERSION)

A digital artwork depicting two humanoid figures facing each other, one with a glowing circuit brain labeled 'SOUL' and the other with a more mechanical appearance, emphasizing the contrast between human essence and technology.

from youarewithinthenorms.com


NORMAN J CLEMENT RPH., DDS, NORMAN L. CLEMENT PHARM-TECH, MALACHI F. MACKANDAL PHARMD, BELINDA BROWN-PARKER, IN THE SPIRIT OF JOSEPH SOLVO ESQ., INC., SPIRIT OF REV. IN THE SPIRIT OF WALTER R. CLEMENT BS., MS, MBA. HARVEY JENKINS, MD, PH.D., IN THE SPIRIT OF C.T. VIVIAN, JELANI ZIMBABWE CLEMENT, BS., M.B.A., IN THE SPIRIT OF THE HON. PATRICE LUMUMBA, IN THE SPIRIT OF ERLIN CLEMENT SR., EVELYN J. CLEMENT, WALTER F. WRENN III., MD., JULIE KILLINGSWORTH, RENEE BLARE, RPH, DR. TERENCE SASAKI, MD LESLY POMPY MD., CHRISTOPHER RUSSO, MD., NANCY SEEFELDT, WILLIE GUINYARD BS., JOSEPH WEBSTER MD., MBA, BEVERLY C. PRINCE MD., FACS., NEIL ARNAND, MD., RICHARD KAUL, MD., IN THE SPIRIT OF LEROY BAYLOR, JAY K. JOSHI MD., MBA, AISHA GARDNER, ADRIENNE EDMUNDSON, ESTER HYATT PH.D., WALTER L. SMITH BS., IN THE SPIRIT OF BRAHM FISHER ESQ., MICHELE ALEXANDER MD., CUDJOE WILDING BS, MARTIN NJOKU, BS., RPH., IN THE SPIRIT OF DEBRA LYNN SHEPHERD, BERES E. MUSCHETT, STRATEGIC ADVISORS

A futuristic depiction of a humanoid figure with a glowing brain labeled 'SOUL', facing another humanoid figure with intricate circuitry patterns, symbolizing the tension between human essence and technology.
“America’s Soul and Circuitry_ A Cultural Civil War in Medicine”

This impassioned essay posits that America is engaged in a profound “cultural civil war” not between political factions, but between its “soul” and “circuitry.” 

A digital artwork contrasting a human figure with a circuit-patterned face, symbolizing the conflict between humanity and technology. The left side of the image features a person with a mohawk hairstyle and a vibrant red background, while the right side showcases a robotic likeness with cool blue tones.

The author laments a perceived decline in American law and spirit, exemplified by the Supreme Court’s Jones v. Hendrix decision, which limits the ability of federal prisoners to challenge convictions based on later changes in the law, even if they are factually innocent.

The piece also critiques aggressive government tactics, such as undercover operations and Section 311 of the USA PATRIOT Act, arguing that they cause collateral damage and prioritize “finality” and “power” over justice and individual liberty.

A dramatic depiction of historical soldiers marching, with red and black contrasting backgrounds, featuring a large moon in the sky.

Ultimately, the text calls for a “New American Spiritual Revival,” urging a return to the Emersonian and Thoreau-inspired ideals of human conscience, empathy, and a “divine law of nature” to reclaim the nation’s foundational principles and “reforge” its moral “crown.”

Close-up of an older man with glasses, looking thoughtfully downwards, highlighting facial features such as a white beard and furrowed brow.
Hank Asher, founder of TLO LLC, sits for a photograph at the company’s facility in Boca Raton, Florida, U.S., on Thursday, Aug. 4, 2011. Photographer: Eliot J. Schechter/ Bloomberg via Getty Images

A SPY NOVEL COMPLETE WITH ALL THE FICTION

Hank Asher’s intelligence gathering—particularly his use of undercover operations—sounds like something straight out of a spy novel. But here’s the problem: it is a spy novel, complete with all the fiction you’d expect.

Asher was an active philanthropist, donating both his time and money, with a primary focus on working with the National Center for Missing and Exploited Children, as well as supporting cancer research.

However, Asher’s and the DEA’s damage could be catastrophic as the Supreme Court’s 2023 decision in Jones v. Hendrix has significant implications for the justice system, particularly concerning the balance between finality in legal decisions and the correction of judicial errors.

A quote by Nelson Mandela displayed on a wall in a prison setting, highlighting the importance of how a nation treats its most vulnerable citizens.
Nelson Mandela

The Court ruled that federal prisoners who were convicted under laws that were later determined to be incorrect do not have the right to challenge their convictions under habeas corpus if they have already exhausted their initial post-conviction remedies.

This means that even if a prisoner is factually innocent based on a subsequent change in law, they cannot seek relief if they have already used their one allowed motion under 28 U.S.C. §2255.

Book cover of 'It Can't Happen Here' by Sinclair Lewis, featuring an American flag design with stars and stripes.
IT CAN’T HAPPEN HERE: Written in 1935, during the middle of the Great Depression and just before the presidential election of 1936, It Can’t Happen Here posits what would happen if, in a very contested election, with many people fearing what the future might bring, a man who promises he has all the answers and presents himself as an outsider and man of the people, wins the election. It turns out he’s a fascist.

This decision emphasizes the principle that Congress has prioritized the finality of convictions over the correction of errors in the judicial process.

The ruling effectively closes the door to potentially innocent individuals who are barred from filing a successive motion, leaving them imprisoned despite changes in the law that might declare their actions non-criminal. 

America’s cultural civil WAR in medicine is here

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Justice Jackson, in her dissent, argued that this decision raises serious constitutional concerns because it denies individuals a meaningful opportunity to have their claims of innocence heard.

Sledgehammer of all sledgehammers.

Critics, including the ACLU, argue that this ruling entrenches injustice within an already punitive system, as it allows individuals to remain incarcerated for conduct that is no longer considered criminal by law.

An illustration depicting Section 311 of the USA PATRIOT Act, featuring a large hammer poised to strike down on financial institutions, symbolizing aggressive government tactics and collateral damage in the pursuit of justice.

Undercover operations are risky and often produce dubious results.

However, let’s discuss strategic targeting and financial tools. Ah, the infamous Section 311 of the USA PATRIOT Act—the sledgehammer of all sledgehammers.

Giving a caveman a nuclear weapon AND THE FALL OF AMERICAN LAW

A cartoonish caveman holding a futuristic weapon and flashlight, standing in a dark cave illuminated by a spotlight.

It’s like giving a caveman a nuclear weapon.

Sure, you’ll get results, but at what cost?

The real-world examples of AI-driven targeting with devastating civilian consequences underscore the urgent need for accountability, ethical frameworks, and a collective choice to resist this emerging “techno-feudal order” in favor of true liberation and justice, as championed by voices like Bob Marley and Marcus Garvey.

A digital artwork featuring two men with dreadlocks, deeply expressing their identities against a backdrop of a stylized tree, symbolizing roots and growth. The artwork emphasizes themes of cultural heritage and resilience.

Shutting down banks, freezing assets, and blacklisting companies sounds effective until you consider the collateral damage.

What about the innocent businesses and individuals who get caught in the crossfire?

What about the ripple effects in global markets?

But why worry about such trivialities when you can just swing away and call it a day?

The fall of American law is not just a constitutional crisis. It is a spiritual one. Our mountains no longer whisper divinity. The court no longer speaks moral truth. And the citizen, once a sovereign self with duty to conscience and cosmos, has become a data point, a litigant, a voter in a broken machine. 

Two futuristic humanoid figures with intricate circuit designs in their hair are facing each other, surrounded by an atmospheric, neon glow.

The New American Spiritual Revival isn’t about technology; it’s about reclaiming the Oversoul, re-rooting ourselves in American land, American spirit, and American moral resistance.

When Judge Michael Luttig, loyal son of that American revolutionary tradition, declared that Chief Justice Roberts is “presiding over the end of the rule of law,” it was not merely a lament; it was a tolling bell.

Judge Luttig’s warning concerns all American citizens. What happens to a country when it loses its soul and doesn’t even notice? 

A surreal depiction of diverse individuals in an urban setting, facing each other, with abstract representations of technology and circuitry blending into their forms, symbolizing a cultural conflict between humanity and technology.

The next American cultural revolution has begun, not between Left and Right, but between soul and circuitry. The stakes are not legislative but existential. Will America become a nation of sentient algorithms, or a republic of self-reliant spirits?  It is time, once more, to remember those first Americans of the mind and spirit.

The Emersonians.

The Thoreau-inspired civil resisters. The Hudson River Nature Painters. The artistic “Harvard on the Hudson” scientists are in awe.

A conceptual illustration depicting the fusion of human and technology, featuring a human silhouette surrounded by intricate circuitry and glowing elements.

A republic that forgets its sacred covenant, that reduces Paine’s crown to a binary algorithmic code, is no longer free.  But the American crown can be reforged. Not by force, but by fidelity. Not by empire, but by human empathy.

A mural depicting a Native American figure with striking facial features and feathers in their hair, accompanied by the quote: 'Only when the last tree has died and the last river been poisoned and the last fish been caught will we realise we cannot eat money.'
NATIVE american indian war chie

let america begin again

Let America begin again. 

Let it be lifted upon the words of Emerson and Thoreau, placed again upon the divine law of nature, and crowned not with gold, but with human conscience.

A diverse group of women in medical white coats, standing confidently, each wearing a stethoscope around their necks, symbolizing unity and professionalism in the healthcare field.
Women-Physicians-white-coats-MD

Let a day be solemnly set apart, not to wave flags over broken truths, but to “bring forth the charter” once more. 

Let American physicians carry the flame of Walden into hospital corridors.

Let American lawyers wield Humboldt’s interconnected vision in the courts.

A serious-looking man in a vintage police uniform stands in front of a world map decorated with various regions, displaying a confident and authoritative demeanor.

Let new artists and thinkers paint futures as Frederic Church once painted wilderness with fire, with reverence, with scale. 

And let that American crown be shattered once again, scattered among the physicians who still listen, the judges who still tremble before justice, the poets who still believe that liberty is eternal, and the people whose right it always was. 

A dramatic illustration depicting the concept of 'Artificial Stupidity,' featuring two stylized figures with chains around their necks amidst a backdrop of digital symbols and icons.

For American law was king. And it can be so again.  But only if it is rooted not in tyrannical power, but in “the soul”. For the American cultural civil war is no longer coming.

!!It is here!! 

And what is at stake is not state power, but the human spirit itself.

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A mural I captured in Cape Town, during a visit to South Africa, featuring a quote from Nelson Mandela written in black spray paint on a blue wall, reading: ‘The Greatest Glory in Living Lies not in never Falling, but in Rising every time we Fall.’

A mural featuring a quote from Nelson Mandela, written in black spray paint on a blue wall, reading: 'The Greatest Glory in Living Lies not in never Falling, but in Rising every time we Fall.'
THRU-KNOWLEDGE-OF-SELF-WE-RISE-NELSON-MANDELA, CAPE TOWN, SOUTH AFRICA

REFERENCE:

Cast of Characters

  • Hank Asher: An individual involved in intelligence gathering, specifically noted for using undercover operations. His methods are criticized as potentially fictionalized and damaging.
  • Justice Jackson: A Supreme Court Justice who issued a dissenting opinion in Jones v. Hendrix, arguing that the majority decision raised “serious constitutional concerns” by denying individuals a meaningful opportunity to have claims of innocence heard.
A close-up portrait of a man in formal attire, looking serious and contemplative, set against an ornate background with gold detailing.
ROBERTS
  • Chief Justice Roberts: The Chief Justice of the Supreme Court, over whom Judge Michael Luttig states he is “presiding over the end of the rule of law.”
  • Judge Michael Luttig: A judge described as a “loyal son of that American revolutionary tradition,” who publicly declared that Chief Justice Roberts is “presiding over the end of the rule of law.” His warning is presented as significant for all American citizens.
  • Ralph Waldo Emerson: A historical American transcendentalist and essayist whose ideas (along with Thoreau’s) are invoked as foundational to the “American spirit” and crucial for a “New American Spiritual Revival” and the nation’s renewal.
  • Henry David Thoreau: A historical American transcendentalist, author, and civil resister. His ideas, particularly those associated with Walden, are invoked as inspiration for a “New American Spiritual Revival,” civil resistance, and for physicians to embody in their practice.
  • Thomas Paine: A historical American political activist and philosopher. His concept of the “crown” (presumably referring to principles of sovereignty or law) is referenced in the context of it being reduced to “binary algorithmic code.”
  • Frederic Church: A historical American landscape painter associated with the Hudson River School. His artistic vision of painting wilderness “with fire, with reverence, with scale” is presented as a model for new artists and thinkers in the “New American Spiritual Revival.”
  • Humboldt (likely Alexander von Humboldt): A historical German polymath, geographer, naturalist, and explorer, known for his work on the interconnectedness of nature. His “interconnected vision” is advocated for American lawyers to wield in the courts.

A close-up view of a desk featuring documents labeled 'FOIA Response,' with several office supplies, a computer monitor in the background, and a warm wooden aesthetic.
  • The ACLU (American Civil Liberties Union): A prominent civil liberties organization mentioned as a critic of the Supreme Court’s Jones v. Hendrix decision, arguing it “entrenches injustice.”
  • Federal Prisoners: Individuals convicted under laws later determined to be incorrect, who, as a result of Jones v. Hendrix, lose the right to challenge their convictions under habeas corpus if they have already exhausted initial post-conviction remedies.
  • American Physicians: A group called upon to “carry the flame of Walden into hospital corridors” as part of the “American Cultural Civil War Against Pain Care Physician” and the broader “New American Spiritual Revival.”
  • American Lawyers: A group called upon to “wield Humboldt’s interconnected vision in the courts” as part of the “New American Spiritual Revival.”
  • New Artists and Thinkers: A collective group encouraged to “paint futures as Frederic Church once painted wilderness” as part of the “New American Spiritual Revival.”
  • The People (Citizens): Described as having become “data points, litigants, voters in a broken machine,” but also as “self-reliant spirits” and the ultimate holders of the right to liberty, and among whom the American “crown” should

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